9/20/2023 0 Comments Tammy love and hip hop![]() As with the many lackluster and overly literal covers of “Stand by Your Man” that have been recorded over the years, the power of Wynette’s vocals and the emotional intelligence of her interpretations are somehow easier to appreciate in absentia.Īnd what a voice it was: emotionally weighty but swooping and nimble, downright kaleidoscopic in its melancholy. ![]() Watching the series, you miss the specific and elusive magic of Wynette’s own voice, making clear how easy it is to take for granted. (“If a girl singer got drunk like you boys do, they would toss her out of Nashville so fast,” she says to Jones, who is eating a raw potato in an attempt to alleviate a hangover.) But “George & Tammy” is most obviously marred by its answer to the classic music biopic conundrum: to lip-sync (and risk looking unserious) or to sing (and inevitably fall short of the source material)?Ĭhastain tackles the songs herself, and though her pipes are decent, her performances never quite transcend honky-tonk bar karaoke. As strong as the lead performances are, the series suffers from small anachronisms and fictitious dramatizations - no, Wynette was not in the studio when Jones finally nailed the vocal take of his heartbreaking late-career weepie “He Stopped Loving Her Today,” at least not physically - and it too often scripts Wynette reciting retrofitted platitudes that overexplain the era’s obvious sexism.
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